A walk in the park. Clint organized it as kind of a birthday thing. It was fun.
The water was actually warm. Got my feet wet and muddy.
Amy was working. Clint, Jen and I explored.
We caught up with Amy later for a couple drinks.
A walk in the park. Clint organized it as kind of a birthday thing. It was fun.
The water was actually warm. Got my feet wet and muddy.
Amy was working. Clint, Jen and I explored.
We caught up with Amy later for a couple drinks.
“Academy Award Winner” Adrien Brody in his last couple of movies, has played loners existing in worlds of their own (in movies named appropriately for those worlds): The Pianist, The Village, and The Jacket.
Adrien Brody, with his everyday good looks, does a great job playing Gulf War vet Jack Starks. Co-star Keira Knightly, beautiful as ever, has a smaller but important part playing Jackie; a mysterious character and sometime love interest that interweaves herself into Jack’s life.
Jack is truly one unlucky guy.
A Marine sergeant in the Persian Gulf War in 1991, Starks smiles kindly at a native kid, who responds by shooting him in the head. This is the start. Things go white as Jack tells us, "I was 27 years old the first time I died."
Miraculously, he survives. That may have been good luck, but bad luck follows:
After a long recovery, Starks is seen a year later hitchhiking in his native Vermont, where he encounters a young woman, Jean (Kelly Lynch), with a small daughter, Jackie (Laura Marano), by the roadside. Jean has just about passed out and her beat up pickup has stalled.
Jack Starks quickly gets the truck going. Jean is so drunk that while nodding in and out of consciousness, she thinks he had tried to molest her daughter Jackie.
Jack continues on his way; this time hitching a ride with a young guy (Brad Renfro - very short appearance) who is promptly stopped by a highway patrolman. The driver immediately opens fire on the officer and flees the scene.
Starks, who was wounded in the crossfire and blacked out, is blamed for the cop's murder and promptly sentenced to an institution for the criminally insane.
Since he suffers from amnesia, Jack gets locked up in a mental asylum, under the care of doctors Kris Kristofferson (Cisko Pike 1972 - a classic) and Jennifer Jason Leigh. (I love her work.)
Dr. Kristofferson (creepy, intimidating) has a somewhat unorthodox “treatment” involving putting Jack in a strait-jacket, shooting him full of drugs and locking him in a morgue drawer for several hours on end.
Trapped in the drawer, Jack somehow manages to travel 15 years into the future to investigate his own untimely death.
He wakes up in what he will later discover is 2007, standing outside a diner in a snowswept landscape. He meets a cute goth gal (Keira Knightley) who seems strangely drawn to him.
And while at her house, he discovers ... his own dog tags. I like these things in movies. You must remember details and how they come into significance later. Here, his dog tags.
How can that be though? Time tripping? Clearly, she's the little girl, Jackie. But he can't be Starks, she insists, because Starks died, and not long after he was committed.
His death, then, is imminent, unless he can figure out how it happened and whether there's any way to prevent it....
Another version of the trailer:
"The Jacket" was written by Massy Tadjedin from a story by Tom Bleecker and Marc Rocco, and directed by John Maybury. Brian Eno, a favorite of mine does the score. (A small bit of trivia: he did the “Windows 95” startup sound, along with producing some work with T-Heads and U2, also working with Bowie – plus tons of other stuff.)
Help from:
http://www.viewlondon.co.uk/review_2421.html
http://www.calendarlive.com/movies/reviews/cl-et-jacket4mar04,1,2699773.story
http://movies.eastbayexpress.com/
Another movie I like. I think both Brody and Knightley were well cast and the movie itself (though dark at times) was entertaining. I liked the ending too. I thinking I should maybe do a lighter movie next time; A story of a boy and his dog sounds good. Old Yeller? Never mind.
Happy St Patricks day from Thin Lizzy ; most appropriately, Irish rockers. Yeah. Love those guys.
Here's hoping you have a chance at the first one (if you want) and you won't need the latter.
(Obviously video titles play a key here). Ha.
Sunday was warm and Monday, today, was even better. I'm told I should expect freezing weather this weekend. Typical.
I spent most of Sunday taking down my remaining Christmas decorations. Needed a ladder. I was waiting till it got warm. No one wants to see icicle lights hanging from the gutters when Spring approaches. Where did the time go?
While taking down and boxing the lights carefully for next year, I stepped into my next chore. Dog crap. Nothing like melting snow; a beautiful layer of white slowly revealing a forgotten yard and a winter's hidden treasures coming back to view for cleanup. That done, I took a break to watch the Nascar race. Boring video included.
By the way, son Clint went down to Atlanta area where tornadoes hit a couple of weeks ago. I lent him a camera and hope he took some good pictures. Coming soon, maybe... (he went down with someone that might be contracted to help clean up the mess.) There is still a lot of work needed down there.
I like movies. I'll watch the popular ones and enjoy them with everyone else but I also try to see some that are not as well known but I feel are worth watching. This movie is called Brick.
Film Noir is one of my favorite film genre's; which primarily describes a look, a feel, in stylish Hollywood crime dramas. Hollywood's classic film noir period is generally regarded as stretching from the early 1940s to the late 1950s. Film noir of this era is associated with a low-key black-and-white visual style (shadows, steaming vents on darkened streets, reflections on a rainy pavement, snappy affected dialogue – I think Gilmore Girls set in the 1940’s.)
Further defined from the excellent reference wiki:“We'd be oversimplifying things in calling film noir oneiric (pertaining to dream), strange, erotic, ambivalent, and cruel...." by the French critics Raymond Borde and Etienne Chaumeton in their 1955 book Panorama du film noir américain 1941–1953 (A Panorama of American Film Noir). Gotta love that scene in the link (black and white). It is the essence of what I'm talking about.
However it’s defined, I know it when I see it.
This is a story of a loner who infiltrates high school cliques to investigate his ex-girlfriend's disappearance. When she goes missing, Brendan vows to uncover the truth; battling through the seedy dealings of his high-school crime ring to solve the mystery.
Joseph Gordon-Levitt stars as Brendan Frye, a junior-league Humphrey Bogart and his ex-girlfriend is Emily (Lost's Emilie de Ravin.- Claire Littleton).
He enlists the aid of his only true peer, the Brain, (and his only friend) Matt O'Leary; a Rubik's Cube obsessed, bespectacled, whiz kid.
Brendan's search sends him into a world of characters like rich-girl sophisticate Laura, intimidating Tugger, substance-abusing Dode, seductive Kara, jock Brad, and - most ominously - non-student, the Pin.
Only by gaining acceptance into the Pin's closely guarded inner circle of crime and punishment that Brendan will be able to uncover clues about Emily and the suspects that he is getting closer to. One of the best of the cast is Lukas Haas, playing Pin. He's sinister and effete, and still lives at home with his mother. Yes, his mother. I find that ironic.
Brick pays homage to film noir with similar story structures, notable characters, and a witty, quirky, well paced dialogue of a 30s/40s hard boiled detective thriller.
Directed by Rian Johnson, there are many great moments, camera angles, lighting, characters; never a lack of suspense while keeping the sense of film noir alive.
A sample of film noir dialog coming from Brendan (well quoted in other reviews so I’ll use too) in his locker-lined hall of the school to a bunch of adversaries: "Throw one at me if you want, hash head," he growls to one of a bunch of dopes threatening to punch him out. "I've got all five senses and I slept last night - that puts me six up on the lot of you."
From the soundtrack: Sister Ray, Velvet Underground.I always liked the movie Momento. Black and white (movie clips) pictures going one direction timewise while the movie itself is going the other way (you had to see the movie to understand - sorry). I only have one black and white picture included here, the pictures are reversed - last to first. This one, the last (first) one has a "Hebron" road sign in it. You can't believe how happy I was to see it.
I woke up to weather news on the radio that many local roads were closed because of blowing snow. Living in the sticks means a 10 - 15 mile trip to work via a country(ish) highway. Open fields border the highway, so if you are out in the open you can't see. Snow just takes over.
I started out this morning and got about a half a mile out into the country. One car ahead was already in a ditch with another stopped to help (in my lane). I slowed to a stop and was considering my options. Then, looking to my right, I saw a big, new, white sedan slowly drift into the snowbank next to me. The driver couldn't stop and rather than rear ending me, she took the snow bank - all in movie type slow motion. And that not being enough, I looked in the mirror and saw another car sliding towards me. I moved ahead about 10 feet and avoided my second accident of the morning.
With all traffic stalled, I turned around (not easily) and headed back home. Clint has a four wheel drive Jeep. I borrowed it. After trying a side road to work (lesser traveled - but lesser plowed) option, I regrouped and went back and drove to work on the original highway (the cars that almost hit me were still in the ditch). This time I followed a semi-trailer - they forge a path and you can always see them above the snow. Made it to work. Late.
That was the easy part. Getting home was worse.
Now I'm driving Clint's Jeep, of which I can't even work the radio properly. Four wheel drive but I'm uncomfortable driving. I left work while hearing on the radio that the road I was taking home was considered closed. Well, no one stands there and tells you you can't use it so I did (and I wasn't the only one - they were just discouraging usage of it). It eventually got me there; scary, white knuckle driving, but there.
I was driving so slow on the way home I was able to take a couple pictures. No danger. I was only going about 15 miles an hour.
Lastly, I'd like to add I really hate whiteouts.
You can't see where you are going, but because of that, you can't stop either or you risk being rear ended. There are a couple places where you have to drive about a length of a football field on faith - you can't see any oncoming cars or the road. You just hope the people coming the other direction are doing the same thing in their lane, not your's. The last two pictures were the first two taken.
One Momento in my life. And it worked out. Yea.
A day in my life. Beatles, A day in the life. (Bonus: quick photo clip of Mick and Marianne) I think.